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Iconic chanel runway looks11/7/2023 It was music, fashion, youth culture, hip-hop culture, African-American culture. We were unapologetic about our style, and with the rise of hip-hop, R&B with Mary, and the whole success of Bad Boy, it was really a perfect storm. If you entered certain rooms, you had to tone down. Because back then, there was a pressure to clean up, to be more classic. We were happy with the opportunity and the freedom to be who we were in real life in front of the camera. It's so different from today, right? I think that's why the 90s is the golden era and it stands out so much, because it was authenticity at its finest. Were there any other goals that you had in mind? Were you thinking about representing for black women who were from certain areas? No. You talked about wanting to be authentic to your personal style but feel elevated. Those weren't options for us in the beginning. There was no such thing as pulls and studio services that we're able to do now. When you saw us wearing things, they were our own. It was all very authentic, and all those pieces were our own. I would bring my fur, she would bring her fur. We were like, "We're true fashion girls." When it was time to do a music video, Kim would bring along her belts, I'd bring all my shoes. But we were dressing like this on the daily. And in those early days, because we didn't have those relationships, we used a lot of our own wardrobe. At that stage, we were really young, so we bought everything. It's always a co-creation.ĭid you try to? No. Then, from that point, the ideas just flow for me. I style from a place of connecting with the client, finding out what the goals are from the label and management, but really connecting with her, artist to artist. What were your initial thoughts about what her image should be? I thought that she was a dope lyricist, and I didn't have any preconceived ideas about what she should be. They became extended family, so naturally, when it was time to come up with an image for Kim, Big and Un thought of me. Blige, and it was sort of like we were in the same family. At that point, I had a lot of success with Mary J. (This interview has been edited and condensed for clarity.) How did you start working with Lil' Kim? Biggie Smalls started a label with his friend Lance "Un" Rivera, and it was Undeas, and Junior M.A.F.I.A. There was no such thing as pulls and studio services that we’re able to do now." Here, Hylton discusses the stories behind Kim's Chanel outfits, her and Kim's relationship with the brand, and what she thinks about the design mistakes luxury brands are making. "When you saw us wearing things, they were our own. "We weren't thinking! We were just doing," said Hylton when asked about working with Kim. Blige, Missy Elliott, and Sean "Diddy" Combs, who she shares a child with. Over the years, Hylton has styled artists including Mary J. Kim created many of these looks with Misa Hylton, her famed stylist, who unintentionally built a blueprint for how many black female artists present themselves to the world-Beyoncé emphasized that when she recreated Kim's looks for Halloween in 2017. Upon Lagerfeld's death earlier this year, after he spent more than three decades as Chanel's creative director, I was reminded of his legacy, but I was also reminded that Chanel meant nothing to me until I saw Lil' Kim wearing a turquoise wig spray painted with the logo or the white, backless jumper she performed in with Biggie. Models wore oversized quilted baseball hats, gold nameplate necklaces, and sweatsuits dripping with pearls. Only a few years before Kim’s first album, Hard Core, was released, Lagerfeld presented a collection influenced by hip-hop. She was a symbol of powerful femininity and showed how hip-hop could lend brands a specific cachet they couldn't get on their own-whether they wanted it or not. Lagerfeld designed collections in concert with what was happening in the world, and Kim-maybe unbeknownst to Karl-was a reflection of that world. He joined in 1983 and was tasked with bringing new energy to a line that was intended for debutants and socialites. When Kim started adorning herself in Chanel, it was the 90s when Karl Lagerfeld was the brand's creative director. I’m not sure when I originally noticed her donning something with the double Cs, but she was my first filter for the French luxury brand, founded by Gabrielle "Coco" Chanel in 1910.
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